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Eduardo Ramirez Villamizar

Eduardo Ramirez Villamizar (1923 - 2004) was active/lived in New York / Spain, Colombia.  Eduardo Villamizar is known for Abstract geometric painting, wood relief sculpture.

Eduardo Ramírez Villamizar’s oil paintings can be treated as precursors to his better-known volumetric reliefs and sculptures. Spending a significant amount of time in Paris in the early to mid-1950s, he soon abandoned the portraiture and expressionist style of his formative years in Colombia to assimilate a new postwar visual vocabulary of abstraction and geometry.

Influenced by concepts advanced by Jean Dewasne and neoplasticism at the Atelier d’Art Abstrait, and with a background in architecture and fine arts, Ramírez Villamizar became concerned with the relation of interlocking and superimposing planes in the pictorial space. With a high sense of order, Mechanical Composition reflects the artist’s distinctive mid-century geometric abstraction exploration of structure, surface, balance, and rhythm in a dynamic horizontal axis.

Limiting his palette to a few flat colors in contrasting tonalities, the circle becomes the organizing device in the abstraction of what could   ...  [Displaying 1000 of 4559 characters.]  Artist bio

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Similar artists

.  There are 24 similar (related) artists for Eduardo Ramirez Villamizar available:    Anna Mercedes Hoyos,  Edgar Negret,  Alejandro Obregon,  Omar Rayo,  Carlos Rojas,  Daniel Garcia,  Hugo Zapata,  Adriana Varejao,  Olga de Amaral,  Armando Morales,  Fernando de Szyszlo,  Damian Gonzalez,  Jorge Jimenez Deredia,  Nicolas Leiva,  Leo Steck,  Gottfried Tritten,  Francisco Salazar,  Pablo Siquier,  Julio Galan,  Ignacio Iturria,  Emil (Yoki) Aebischer,  Alejandro Otero,  Walter Nussbaum,  Julio Larraz



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Facts about Eduardo Ramirez Villamizar

   Eduardo Ramirez Villamizar  Born:  1923 - Pamplona, Colombia
Died:   2004 - Columbia
Known for:  Abstract geometric painting, wood relief sculpture
Name variants:  

Eduardo Ramírez Villamizar’s oil paintings can be treated as precursors to his better-known volumetric reliefs and sculptures. Spending a significant amount of time in Paris in the early to mid-1950s, he soon abandoned the portraiture and expressionist style of his formative years in Colombia to assimilate a new postwar visual vocabulary of abstraction and geometry.

Influenced by concepts advanced by Jean Dewasne and neoplasticism at the Atelier d’Art Abstrait, and with a background in architecture and fine arts, Ramírez Villamizar became concerned with the relation of interlocking and superimposing planes in the pictorial space. With a high sense of order, Mechanical Composition reflects the artist’s distinctive mid-century geometr  ...  Displaying 750 of 4559 characters.

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